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Organ Night & Aria: Echoes of Cathedrals

Musiikkitalon kuoro
Photo: © Arto Kakonen

Time

4.8.2026 EET/EESTTue 19.00–20.20 EET/EEST

Location

Musiikkitalo - Helsinki Music Centre

Mannerheimintie 13a, 00100 Helsinki

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Helsinki Music Centre, Mannerheimintie 13 Helsinki, Uusimaa, 00100 Finland

Target audience

No age limit

Languages

Finnish, Swedish, English

Price

  • 40 Standard ticket
  • 37 Pensioner
  • 15 Student, Child, Unemployed, Conscript, Civilian service worker
  • 0 Assistant
  • 32 Standard ticket (group, minimum 10 people)

Buy ticket(external link, opens in a new window)

Free entry with Kaikukortti

Organizer

Urkuyö ja Aaria

Musiikkitalo Choir

Nils Schweckendiek, conductor

Susanne Kujala, organ

Tuuli Takala, soprano

n.n, boy soprano

When the grand Musiikkitalo Choir takes the stage together with organist Susanne Kujala, soprano Tuuli Takala and a boy soprano, the audience can expect a magnificent evening. The programme features three fine solo organ works and three widely beloved choral masterpieces – works that are rarely heard in Finnish concert halls, and even more rarely presented within the same concert.

Benjamin Britten’s Rejoice in the Lamb was composed in 1943 for the 50th anniversary of St. Matthew’s Church in Northampton. Its text is drawn from a larger poetic work by Christopher Smart (1722–1771), a poet considered mentally ill. The theme of the text – the individual versus the collective – is one Britten returned to frequently. The influence of Purcell, a composer close to Britten’s heart, can be heard especially in the Hallelujah movement.

Hör mein Bitten is the most popular of Mendelssohn’s smaller-scale choral works. It was composed during the composer’s eighth visit to England in 1844. Mendelssohn described the schedules of his trip as utterly insane: the days were long and sleep was scarce. Yet there is not a trace of exhaustion in this magnificent piece.

In December 1963, Leonard Bernstein received a letter from Walter Hussey, Dean of Chichester Cathedral. Together with the cathedral’s organist and choirmaster John Birch, he wished to commission a choral work from Bernstein for the Chichester Festival in 1965. The texts were to be taken from the Biblical Psalms. Despite the context, the commissioner emphasized that Bernstein was free to adopt a more popular approach: “Many of us would be delighted if we could detect a hint of West Side Story.” Chichester Psalms is a portrayal of the composer’s longing for peace and brotherhood.

PROGRAM:

Johann Sebastian Bach (1685–1750)

Prelude in D major, BWV 532/1

Felix Mendelssohn (1809–1847)

Hear My Prayer, WoO 15

Ville Kujala (b. 1976)

Aurora Borealis

Benjamin Britten (1913–1976)

Rejoice in the Lamb, Op. 30

Franz Liszt (1811–1886)

Prelude and Fugue on the Name B-A-C-H

Leonard Bernstein (1918–1990)

Chichester Psalms

CONCERT DURATION:

Approx. 80 minutes, no intermission.